Lightbound Yrel is a straight-up terrible idea because it demonstrates how poorly the writers understand persecution and revenge. I struggle to think of plausible examples where within a generation, an individual that underwent incredible persecution and then heroism is the individual that immediately foments the exact same kind of blatant persecution in the same measure and magnitude and kind. It’s just the villain bat hitting left and right, I hate it, period.
That is not to say that heroes do not enact their own cruelties and evils, but it’s usually not so blatantly “this is the same situation but the colors changed”.
As far as “I’m tired of Lordaeronian survivors being painted as evil” and “I’m tired of this iconography being used to write ‘subversively’”.
You know what? I’m sympathetic. I don’t like the Light’s conversion into just ‘willpower beams’, where we’ve gone from a cosmic force with a will and purpose that could be subverted in individual instances to colored light beams. There are settings where that works well, like Dragon Age, and I think foisting those metaphysics on a setting that didn’t have them is bad.
I’ll go one step further: the Scarlets are snazzy, in my book, at least superficially. They use fire and light, white and red is a great combo, the loss of Lordaeron is a tragedy, I eat this kind of iconography and symbolism up. I love heroic fairy tale fantasy and I make no apologies for the fact that I do. I always feel a little sad when I’m fighting Scarlets, I mean, outside of the times I would mass murder them for pieces of loot for my guild and they’d take literally hours to give me anything
But I fully support Benedikt’s suggestion in this thread nevertheless, and the reasons why are:
- We already have unabashed heroic fairy tale fantasy at home. No matter the lightbound nonsense, we’ve got basically Stormwind and Silvermoon firing on all cylinders to deliver that to the masses. Maybe the writing in Stormwind isn’t great and maybe the writing in Silvermoon is… weird, but they’re the two most consistently represented cultures in the game as well as the two most played cultures. And that’s to say nothing of original recipe Draenei. The chance they’re going to villainize the casual player player-cultures is low.
- WoW is sorely in need of lower-scale threats. We cannot just keep escalating into nigh-infinity until we’re facing Pun-Pun the Kobold God (look it up). Some would say we already reached this point.
- It re-establishes core themes for a player race that’s taken one in the chin for two straight expansions and represents an opportunity to expand another.
- Lastly, and perhaps most importantly: subversions are powerful stories not because they are original but because they speak to deep parts of us. They speak to our deep fears, sometimes realized, in how things can go wrong. If you’re walking into it with “gosh, how can we villain-bat the light” and never think a step deeper, that’s how you get the Lightbound crap in the Mag’har story, yeah, sure.
It is more than okay to care about what is in what you write. It is more than okay to try and send messages. I don’t know how else to say this, but like… writers have agendas. We/They always have agendas. Not in the sense of conspiracies, but they all have personal preferences, fears, morals. The success of any piece of writing is not dependent on not having an agenda. There are writers with morals in deep opposition to my own who can still write terribly engaging stuff because they’ve thought about it long and hard and can put forward the parts that really make your brain tick, even if only temporarily.
The essence of writing is always two factors: do you understand what you are writing about, and do you understand who you are writing for? Great writing always inspires emotions in us and intrigue our curiosity; we may conclude ultimately that their morals are not our own (though I would hope we could get behind the morals that stand against the Scarlet Crusade…) but morals are a big part of doing all that.
Passion can be an aid or a hindrance in both cases, but on average I’d say it has to help more than it hurts for the very simple reason that if you like what you’re working on, you’re more likely to try to learn more about it. And if you’re passionate about a real-world situation, that’s not any different.
So as someone who is superficially predisposed to like the Scarlets; as someone who feels a little dissonance every time they’re the villains; I am all for their return in this role.