Or Sylvanas was confident(or arrogant) enough to assume she was guaranteed a kill. So consequences be damned, she didnt care if there were collateral damage/un intended consequences. Wouldnt be the first time.
Yeah. Obviously, by cata, cdev had decided that it was going to be a Putress plot officially. But I think, when developing Wotlk they still hadnât settled on that narrative. It is, without a doubt, not something Sylvanas would have been opposed to, if it had a chance to further her goals. Also, it could have helped paint her as singleminded in her quest for vengeance.
Yeah Edge of Night makes it that Sylvanas was only focused on killing Arthas and thus any other purpose with the new plague / blight were the ideas of others, such as Putress. Given that Sylvanas attempted to commit suicide following the ending of ICC.
Another reason why I believe she only gave the order to use it on Arthas and the scourge. It was Putress who decided to use it on everyone else.
Iâm back. Sorry for the late response, irl and stuff.
Iâve realized that there are differences between:
A. The interpretation of a work.
B. A new iteration of a work.
The first part of my post refers to A, while the second part refers to B.
We may have mixed these up before.
My thesis is that authorial intent is essential for preserving a workâs artistic integrity, and retroactive changes by rights holders undermine consistency and trust in the narrative. The creatorâs vision defines the storyâs original purpose. Rights holders can alter canon, yes, (just wanted to agree with you here, not mixing stuff up) but cannot retroactively claim their changes reflect the original intent. (my actual point)
Shadowlands and Chronicle were examples of this. Danuser(s Team?) claimed that their changes reflect the original intent. Imo, he can only do that from a legal perspective, not from an artistic one, because he didnât write it. Thatâs why I expressed my disappointment with people who actually believe âWC3 was the Jailerâs planâ because âChronicle is unrelieableâ.
So my post wasnât meant to be about artistic merit. My post was about how the original authorâs word is more authoritative about how their work should be understood than that of an outside third party. The phrase âfinal say on interpretationâ refers to Chronicle itself.
With Hard canon (emphasis on hard) Iâm refering to sources that aim to represent the ultimate truth as provided by the narrator (or DM). It is the polar opposite of flavor lore (character-driven and thus untrustworthy). Perhaps âhard canonâ is misleading though, and objective lore is a better term.
When objective lore is contradicted by later sources, it is simply an inconsistency or retcon. As a result, it does not call into question the overall credibility of the source, as it would if it were officially declared flavor lore.
However, I believe that the fate of the Titan souls and Argus as a Titan was purposefully left out to avoid spoiling Legionâs climax just before its release.
So, in my opinion, nothing was âput to bedâ.
Well before Danhausen went and spoke (always a mistake for him) and used the âtitanâs perspectiveâ line, we had reason to question the veracity of Chronicles to some degree.
Chronicles was meant to tighten up the lore. It was meant to take some of the plotholes Metzen made and fill them, the loose ends he left dangling and tie them off, but it wasnât meant to hold them to a singular path through the past. Metzen never described it in that way.
World of Warcraft: Chronicle is a series that attempts to codify, tighten up and clarify the history of Warcraft. [S]
It was clearly meant to be a reliable source.
Please also keep in mind that the source served as an advertisement for Chronicle on Amazon.
Also:
According to Micky Neilson (Co-Author), the book is like a bible with illustrations.
Chronicle is checked by internal readers and Blizzardâs historians
Except⌠No. From an artistic standpoint, both versions of the character can be seperately evaluated, while acknowledging one is the prior canonical version and the other is the current canonical version.
Again, Batman. Iâll stick with him since you said youâre unfamiliar with Spider-Man.
Bob Kane and Bill Finger originally created Batman. They made that character, wrote his first story, etc. They gave him a very basic origin story.
Frank Miller, who wrote Batman Year One, did not create Batman. He came around something like 40 years later and took elements of that original origin story, threw out others, and vastly expanded on it to create the most definitive origin for Batman to date, one that heavily inspired not only later writers, but also movies like Batman Begins.
Frank Miller did not create the artistic equivalent of fan fiction, just because he isnât the original creator. That is just silly nonesense talk. He did, in fact, create art. And he did so regardless of the intentions of the original creators.
Unfortunately, I am not familiar with Batman either.
Superheroes, in general, arenât my cup of tea.
Iâll try to answer anyway.
The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing and can retain the original characters and settings, add their own, or both. [S]
So, if itâs professional rather than amateurish, and created by the rights holder, it still isnât artistic equivalent to that?
Though, Iâve realized that the term fan fiction has more negative connotations than I thought. Of course, even fan fiction can outperform the original in terms of artistic merit. Itâs rare, but it happens. Like covers.
About Batman specifically: I mean, there are multiverses, right? This creates a completely different basic situation than in a setting with only one universe. So I donât know if your example here is comparable to Star Wars or Warcraft.
And this should all be moot regardless, because Metzen only started dictating the Warcraft story with WCIII. He himself is not the original author of the franchise; he simply expanded it and did a much better job than those who came before him. If weâre going to keep with your argument, he effectively also only wrote glorified fan fiction.
Not a bad argument. I argue that the universe was still in development at the time, that we are only discussing the section that Metzen explicitly wrote, and that expanding does not imply rewriting or âcoveringâ. According to your description and my understanding, it is not comparable to Frank Millerâs work because he did not continue the Kane/Finger story but instead created a completely new iteration.
I also donât want to diminish collective creative efforts. Perhaps Iâm oversimplifying things, but I donât want to write a novel here.
Chronicles was less than canon before the ink was dry
Why do you think that?
So, the Wrathgate might have succeeded, if Sylvanas didnât order the Forsaken to use a special blight created specifically to kill the Lich King? Or the Wrathgate might have been a success if Putress hadnât betrayed everyone? Because itâs possible that the writer of that statement wasnât particularly clear on what the story was going to end up being.
I donât think thatâs so farfetched. The Lich King might have simply withdrawn. And, since the Wrathgate leads directly into the Icecrown Citadel, ICC would have occurred sooner?
After all, the Elite of the Horde and Alliance were present. (7th. Legion, Korâkron)
Timothy Zahn was also bought in to write the new thrawn novels though. Thatâs how beloved the character is and how respected the author is
Of course. Heâs the author of Thrawn, after all.
But I donât think Rebels or Mandalorian do the character justice.
see ya next year
Iâve realized that there are differences between:
A. The interpretation of a work.
B. A new iteration of a work.
The first part of my post refers to A, while the second part refers to B.
We may have mixed these up before.
Ok, now I think weâre on the same page. Thank you for clarifying!!
So my post wasnât meant to be about artistic merit. My post was about how the original authorâs word is more authoritative about how their work should be understood than that of an outside third party.
I find nothing to dispute or disagree with here. Nicely put!!
However, I believe that the fate of the Titan souls and Argus as a Titan was purposefully left out to avoid spoiling Legionâs climax just before its release.
So, in my opinion, nothing was âput to bedâ.
While we wonât know the truth of it until someone inevitably writes a tell-all book about the inner workings of Blizzard and WoW specifically, Iâm inclined to disagree based on Metzenâs own history.
I love Metzen. I love his big comic book-y style of writing. I love how he will do whatever it takes to build to a big, epic conclusion.
But the man has a history of making a choice, then choosing to go back on it. Or rather, he has a history of forgetting his own lore or throwing some aspect away just to make something cooler. Or at least not paying attention to what lore bits other people wrote under his watch.
Who leads the Wildhammers?
What do draenie look like?
Is Garrosh a hot-headed but decent leader who might grow into the role of warchief or is he a genocidal maniac thirsting for a way to repeat his daddyâs mistakes but with void instead of fel?
How many old gods are under Azeroth anyway?
Whatever did ârebuild the final titanâ mean?
I could go on, and Iâm sure someone is gonna respond to this post with more.
Legionâs finale was written before Metzen left, but Chronicle was written even longer before that. I find it just as likely, if not more likely, that given his history, Metzen realized as he was writing the Argus story that he wanted a big titan reveal, to fix the pantheon, to lock Sargeras away instead of killing him off, and the easiest way to do that was to come up with a small retcon (one common enough in comics, which he also reads) about the otherwise never before mentioned fact that titans can survive death as soul-things that can just be made to come back.
But we wonât know which of us, if either of us, is right. So, just sharing my theory.
So, if itâs professional rather than amateurish, and created by the rights holder, it still isnât artistic equivalent to that?
Well, quality also matters.
You wanna call Danuserâs writing the artistic equivalent of officially canonized fan fiction? The only response Iâm likely to give is something along the lines ofâŚ
âBut⌠The FRACTALS tho!!!â
Because the manâs work with WoW speaks for itself. I think even calling it officially canonized fan fiction is giving it way too much credit.
So as far as artistry goes, quality matters.
But canonicity is decided by the rights holders, whether we like it or not.
So I donât know if your example here is comparable to Star Wars or Warcraft.
Ah-hah!! Yes, I can give a better example using Star Wars. Although I will hate myself a little bit for reminding anyone of thisâŚ
Ewoks: Caravan of Courage. The made-for-tv movie. Written by George Lucas.
Like it or not, it was canon pre-Disney. For the sake of simplicity, this is just gonna be pre-Disney Star Wars discussions, because Iâm not so sure anymore about what Disney threw away and what they kept.
Itâs own artistic value is irrelevant to its canonical state. It fluctuated from being canon to non-canon, then back to canon again, but regardless, it ended up in the canon bin along with works such as Crystal Star. It was equally as canonical as Timothy Zhanâs Thrawn trilogy, which is of obvious artistic merit.
But since Ewoks was made by the OG creator, does it have more artistic merit than Heir to the Empire? Is it a superior Star Wars work because Lucas wrote it? Or can we all avoid thinking about that terrible movie and just agree that Zhan wins that discussion?
But to be fair to you, I now understand that this wasnât the type of discussion you were trying to have, and I just kinda made it that discussion.
Perhaps Iâm oversimplifying things, but I donât want to write a novel here.
Oh no, you actually explained everything perfectly now. Had I understood earlier, I doubt weâd even be having a disagreement at all.
I just really was hoping this was a discussion about âauthorial intentâ vs âdeath to the authorâ and maybe went a little gung-ho.
However, I believe that the fate of the Titan souls and Argus as a Titan was purposefully left out to avoid spoiling Legionâs climax just before its release.
So, in my opinion, nothing was âput to bedâ.
In a way, this would be similar to how certain movie trailers, such as Avengers: Infinity War and Endgame, or more recently Sonic 3 intentionally changed scenes shown in the trailers to avoid actual spoilers present in the movie itself.
Chronicles as a whole was written around the time of Legion, with Chronicles vol 1 releasing alongside Legion. Akin to other tie in novels for previous expansions. Such as Rise of the Horde for TBC, which covers the whole âDraenei retconâ in full.
I donât think thatâs so farfetched. The Lich King might have simply withdrawn.
Itâs not that itâs far fetched. Itâs that the writers have to pick one or leave both up for possibility or neither. These arenât actual events that happened and we are theorizing the details. They are a fictional narrative. To say âIt might have been a success ifâŚâ And then say that means that the reason it didnât succeed is âbecause ofâŚâ Is absurd. One could just as easily argue that, had the blight not been deployed, the Lich King might have rallied and wiped everyone out. Only what was written happened and this is one of the things that sucks about Chronicles unless you say it is an unreliable narrator.
One could just as easily argue that, had the blight not been deployed, the Lich King might have rallied and wiped everyone out.
That is the point of the wording. Maybe the Lich King would have destroyed the combined forced or maybe he would have been rolf stomped. Who knows. But it is worded in a way that implies the factions did have a chance at victory and the Forsaken destroyed said chance.
Chronicles was less than canon before the ink was dry
Why do you think that?
I felt the same way Mawthorne did, when I first heard of it all those years ago.
I remember when the first Chronicles was being advertised. I was a big hater of it - not because I am against a lore compendium. But because I felt it would be a Retcon storm with the purpose of solidifying the story they want going forward.
âRecontextualizingâ the past events to frame them for the story they want going forward. And then Chronicles itself would be retconned at some point.
I didnt trust it to be an encyclopedia of facts and events. I knew it would be more of a reframing of the past to match the future they are designing. And that it would be retconned itself when it became inconvenient.
Fast forward to today, and we have the whole âtitans perspectiveâ thing slapped on to it. To further muddy the waters when Chronicles was supposed to clarify things.
I found the whole Chronicles project rather dubious to begin with. And it has proven to be so. The way the lore is changed so often, keeping these Chronicles as PoVs instead of some gospel makes more sense.
A de facto Word of God lore compendium for a live service game was sort of an insane idea to begin with. It is like Metzen had to get his D&D campaign setting writing fix in after the one he did a few years before.
âIt might have spelled the end of The Lich King.â
I am in agreement here: the word âmightâ is doing a lot of heavy lifting. Implying Bolvar and the remaining forces definitely would have won holds no more weight than Arthas would have turned all 9,000 troops of both combined armies into more Scourge fodder (plus a few Death Knights).
I am in agreement here: the word âmightâ is doing a lot of heavy lifting
I think itâs a big part of why Chronicles was such a horrible idea and why âunreliable narratorâ was the only solution.
The commentary it adds only works if the narrative is over. Itâs like a âremembering warcraft 20 years laterâ type of book. At that point itâs fun to speculate. When our characters no longer exist and the stories are no longer being told. When Sylvanas is still on a journey of character development, you want to throw âmightâ around all willy nilly?
It was an ill-concieved cash grab.
mawthorne youâre looking pretty blizzard employee right now.
It was an ill-concieved cash grab.
youâre looking pretty blizzard employee right now.
UhmâŚ
I cannot imagine a Blizzard employee coming 'round here to besmirch one of their relatively lucrative products.
UhmâŚ
I cannot imagine a Blizzard employee coming 'round here to besmirch one of their relatively lucrative products.
We can give him a half of a point for an attempted insult. But weâll have to deduct twenty for not paying attention to what was said
Disagree there. Chronicle is basically just a setting guide to serve as a foundation for telling stories within an existing framework. Arguing that there shouldnât be a framework, or ignoring said framework, is tantamount to saying lore does not matter.
I cannot imagine a Blizzard employee coming 'round here to besmirch one of their relatively lucrative products.
I mean, tbf, cdev basically blamed the bestselling expansion ever on a disgraced predator.
Glad to see you again Alynsa.
Oh, so war crimes to take over the world are okay when the Forsaken do it? But when some Draenei want to wage one little holy war in another timeline⌠THEN EVERYONE LOSES THEIR MINDS!
I cannot imagine a Blizzard employee coming 'round here to besmirch one of their relatively lucrative products.
everyone whoâs going to buy chronicle has already bought chronicle.
no one with half a lick of sense is going to support blizzardâs âtell the players lies weâll retcon every single time we make up anythingâ design.
everyone whoâs going to buy chronicle has already bought chronicle.
This argument only works if Chronicle goes out of print, and there will never be another volume. Given Vol 1 is still in print and available nearly 9 years later without going full clearance price, and we recently got another volume, Iâd say Blizzard at least feels they can get more sales, and book retailers agree.