Because in the real world historians and cultural theorists and politicians generally agree that nobody is mad today about stuff that happened in the 8th century.
Again, the fact that I was raised Christian means I was impacted by the events of Medieval period.
But there are things that impact me more directly. Especially on my Slavic side of the family. I don’t think I need to explain why the 20th Century was a bad time for them.
We were talking about Gilneas. When the hell did Steampunk enter the equation?
You’re the one who chose to misquote me to begin with. You literally have no room to talk about this.
Because they are, and yes, I’m cropping the rest of your post because it’s irrelevant.
Gilneas is Victorian. Evidence:
Top hats
Distinctively British accents:
“Oi!”
“Get gabbin’ or get goin’!”
Horse-drawn carriages
Independent and industrialized
As well as this nice little bit from an interview with James Waugh, former Director of Story and Creative Development, re: Genn Greymane:
He believes in the superiority of his people, the strength of his people and not asking others for help. That is a sign of weakness. His father Archibald came out of that and there’s a character there. It, in a way, defined the ideals of the Gilneas culture. Because they are very advanced, it’s very Victorian. They seem to have industry there, that ethos builds that industry.
If you still want to argue that, “Nope, Gilneans aren’t Victorian,” then you’re going against official statements at this point.
But not because they are industrial, which was your origins claim.
Horse-drawn carriages is not a staple of Victorian England either lol.
That has never been my point. My point has always been to point out your failure to identify what is and isn’t a cultural staple lol.
Yeah I know. I was literally born in the 20th Century.
Point is, you can be impacted by things in a variety of ways. Again, the fact that I was raised Christian mean I have been impacted by the Medieval period.
Well, as long as you’re being humble about it, I guess…
They were a feature of Victorian England; I’m pretty sure you’re the only who’s been throwing “staples” around.
Which is actually quite dangerous
If that’s honestly been your “objective,” then I’m sorry, but you’ve really argued it very poorly—maybe it’s just me, but I don’t feel like I’ve had any “failure to identify what is and isn’t a cultural staple” exposed.
Especially considering the interview I cited above.